![]() ![]() ![]() He said "the impulse to write the play was not political, was not to intervene in a debate about the church, but rather to work with a voice that had mattered to me personally, a voice that was iconic as well as human." Further, he noted that he had "seen great performances in the Irish theater", which meant that "In their performances the act of utterance itself took on a sort of soaring nervous power." Īfter the initial reading at the Dublin Theatre Festival in 2011 of an earlier version of the play and the writing of the novella, Tóibin "rewrote the original play, with the images starker, the voice even more urgent and filled with human pain." Production history Tóibín wrote in The New York Times that he began writing the play because he felt "almost a vacuum of faith in Ireland" in late 2008. ![]()
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